不安分的年轻人们
Peccatori in blue jeans
影片信息
- 状态：HD中字
- 主演：帕斯卡尔·普缇/安德丽·帕里西/雅克·夏里尔/洛朗·特兹弗/让-保罗·贝尔蒙多/达妮·萨瓦尔/
- 导演：马塞尔·卡尔内/
- 年份：1958
- 地区：法国
- 类型：剧情/
- 时长：内详
- 上映：1958-10-10
- 语言：法语
- 更新：2026-01-25 01:07
- 简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
- 421
-
关注公众号观影不迷路
-
扫一扫用手机访问
8.0
网友评分
71次评分
扫一扫用手机访问
剧情简介
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
为你推荐
换一换-
正片HD中字10.0 蒂尔达·格哈姆-哈维/奥利维娅·科尔曼/埃蒙·法伦/德博拉·肯尼迪/丹尼尔·亨绍尔/约翰·利思戈/科迪·费恩/Hans·Kesting/凯特·波克斯/Arjan·Ederveen/佐伊·洛夫·史密斯/汉纳·范·弗利特/布林·查普曼·帕里什/奥德·梅森-海德/Maya·Jean·Carey/Rhemy·Ashton/吉安·扬森斯/Nicholas·Brown/Romana·Vrede/梅拉尼·麦克西马斯/
-
HD中字7.0 The Draw/
-
正片TC中字9.0 乔纳森·布莱尔/John·Paul·Sneed/Josh·Bates/Joe·Dignoti/Stephen·Foster·Harris/
-
正片HD国语2.0 张峻鸣/恩璟/钟雷/
-
正片HD国语9.0 未知
-
正片HD中字4.0 Sanaya/Andrade/Daílma/Mendes/Alice/Da/Luz/Nha/Nha/Rodrigues/中野裕太/
-
豆瓣高分HD中字3.0 索佩·迪瑞苏/玛莎·厄赫诺梅/瓦莱·戴维斯/Godwin·Egbo/Chibuike·Marvelous·Egbo/Efòn·Wini/Tosin·Adeyemi/Adesina·McCoy·Babalola/Lawrence·Chu/Yetunde·Coker/Akerele·David/Patrick·Diabuah/Paul·Edobor/Adodo·Emmanuel/Patrick·Essien/Olarotimi·Fakunle/Ikechukwu·Gabriel/Fred·Ideh/Ebuka/
-
正片HD中字1.0 瑞恩·高斯林/桑德拉·惠勒/米拉娜·薇恩翠/奥赖恩·李/罗伯特·史密斯/梁振邦/莱昂内尔·博伊斯/詹姆斯·赖特/詹姆斯·奥尔蒂斯/利兹·金斯曼/亚伦·尼尔/伊斯拉·麦克雷/巴斯蒂安·安东尼奥·富恩特斯/
-
正片HD中字7.0 安娜玛丽亚·沃特鲁梅/蕾雅·德吕盖/洛朗特·卡普洛托/阿莱克斯·德斯卡/克莱尔·博德森/阿德利安·迪安娜/朱尔斯·德尔萨特/Sonia·Bekam/Max·Robin/Michèle·Moanda·Ndetani/Alexandre·Matobi/Jayden·Mvuezolo·Mayemba/Kenayah·Soumah/Anne·Lallemant/Monia·Douieb/Giulia·Balfroid/Cèdric·Larcin/Athéna·Danae·Poullos/Karim·Chihab/
-
正片HD中字5.0 Xyriel·Manabat/Kyle·Echarri/Vin·Hezeta/
-
豆瓣高分HD中字1.0 陪我走到世界尽头/
-
HD中字7.0 尼娜·凯莉/文森特·莱克莱尔/恩里克·克兰东尼/Adrian/Walters/Antoine/Pilon/斯蒂芬·卡林/康拉德·皮拉/
-
正片HD中字2.0 帕斯·贝加/鲁伯特·艾弗雷特/托马斯·科特/约翰·萨维奇/朗贝尔·维尔森/达尔科.佩里克/阿贝尔·费拉拉/吉安卡罗·吉安尼尼/Vittorio·Base/
-
正片HD中字1.0 尼尔·林波/汤姆·布莱斯/戴维·荣松/马克·雷恩斯伯里/科林·席尔瓦/罗伯特·罗兹/Keaton·Ancona-Francis/Jack·Barker/Cole·Martin/Layton·Blake/Lunga·Skosana/Chay·Faraday-Browne/Shaun·Shifty·Parker/Kyle·Farrow/Callan·Farrow/Darren·Clayton/Fred·Muthui/
-
正片HD中字2.0 巴斯蒂安·布永/琪塔·昂罗/
-
HD国语6.0 王晓冬/贺广治/
-
正片HD中字3.0 未知
-
正片HD中字10.0 佩内洛普·克鲁兹/克里斯蒂安·贝尔/杰克·吉伦哈尔/约翰·马加罗/朱莉安·浩夫/安妮特·贝宁/马科·查卡/马修·马希尔/彼得·萨斯加德/路易斯·坎瑟米/杰西·巴克利/威廉·希尔/珍妮·柏林/伊莲·阿普鲁泽西/斯蒂芬妮·特洛亚克/马西尔·摩丹/莉迪亚·凯莉/索菲娅·科/本·格林/安东尼·贝里尼/
-
正片HD国语5.0 吕良伟/许亚军/侯勇/郑晓宁/王斑/袁帅/富大龙/高梓淇/白庆琳/张静静/张苡宁/方姝晴/
-
正片HD中字4.0 Acha·Septriasa/艾哈迈德·梅甘塔拉/Dewi·Irawan/Rizky·Hanggono/
-
正片HD中字3.0 大卫·丹席克/崔娜·蒂虹/约翰·路易斯·施密特/
-
正片HD中字6.0 Carola·Insolera/Emilio·Insolera/Antonio·Iorillo/Simonetta·Pellizzer/Sarah·Toscano/
-
正片HD中字6.0 吉斯·舒尔腾·范·艾查特/雷努特·舒尔腾·范·艾查特/Pia·Amofa-Antwi/Daria·Fuchs/Julien·Genoud/Kaija·Ledergerber/David·Urankar/
-
正片HD2.0 克里斯托弗·瓦尔兹/蒂姆·麦克纳尼/约翰·瑞斯-戴维斯/布耐恩·布莱塞得/弗农·多布切夫/奥马尔·沙里夫/保罗·麦甘恩/克雷格·迈莱赫兰/史蒂芬·麦可甘/凯瑟琳·泽塔-琼斯/维罗尼卡·费瑞尔/阿涅丝·绍拉尔/让娜·莫罗/卡尔·约翰逊/汉恩斯·詹尼可/伊恩·理查森/马克·麦克盖恩/梅尔·费勒/霍斯特·弗兰克/
-
正片HD中字10.0 克里斯托弗·比曼/丹尼尔·林克/塞莱斯特·卢奇蒂/
-
正片HD中字5.0 帕姬·布鲁斯特/奥利维亚·泰勒·达德利/卢·泰勒·普奇/玛琳娜·福特/乔丹·加文瑞斯/
-
正片HD中字7.0 桑杰·达特/普里耶修·查特奇/阿米尔·汗/普丽缇·泽塔/伊姆兰·汗/阿施文·穆施拉恩/莫娜·辛格/维尔·达斯/本尼迪克特·加勒特/Shayan·Munshi/Ellie·Flory·Fawcett/Anthony·Mark·McKeon/Vishwanath·Kulkarni/Hella·Stichlmair/Jemima·Dunn/Anubhav·Sakhuja/
-
正片HD中字3.0 斯特凡·班迪奇/梅格·贝兰德/多拉·布尔坦/
-
正片HD中字4.0 佐野史郎/足立智充/堤真一/梅舟惟永/齐藤阳一郎/松浦慎一郎/河合优实/沈恩敬/高田万作/
-
正片HD6.0 张继聪///曾志伟///韦罗莎///林雪///朱栢康///刘皓岚///火星///邱穟恒///李靖筠///郑丹瑞///上山诗钠///袁富华///林燕玲/